“Hacks” star Hannah Einbinder and “The X-Files” legend Gillian Anderson are teaming up to take on a new kind of slasher movie.
“Teenage Sex and Death at Camp Miasma” will mark the third feature from Jane Schoenbrun, whose psychological horror drama “I Saw the TV Glow” became one of the most acclaimed indies of 2024.
Plan B is producing the film, with Mubi financing and to distribute across will distribute in select territories, including North America, Latin America, U.K., Ireland, Germany, Austria, Benelux, Turkey, India, Australia, and New Zealand. The Match Factory is handling remaining worldwide sales.
In “Teenage Sex and Death at Camp Miasma,” the infamous “Camp Miasma” slasher franchise is getting rebooted yet again. But when the latest movie’s director becomes obsessed with the mysterious, reclusive actress who played the “final girl” in the original film, a whole new kind of slasher emerges from the bottom of the lake.
“I make movies I wish existed when I was a kid,” said Schoenbrun, “Teenage Sex and Death at Camp Miasma is my best attempt at the ‘sleepover classic:’ an insane yet cozy midnight odyssey that beckons to unsuspecting viewers from the horror section at the local video store. I couldn’t be more excited to be heading to sleepaway camp this summer with the mad comic genius Hannah Einbinder, the legendary Gillian Anderson, and the daring folks at Mubi and Plan B, who by greenlighting this movie have summoned a plague-like flood of blood, guts, and various other fluids to rain down on us all.”
Schoenbrun is a non-binary filmmaker and writer. Alongside “I Saw the TV Glow,” their other films include “We’re All Going to the World’s Fair,” and “A Self-Induced Hallucination.” “I Saw the TV Glow” was nominated for six Independent Spirit Awards including best picture, screenplay and director, and it was nominated for three Gotham Awards. Their first novel, “Public Access Afterworld,” will be published by Hogarth in 2026.
Recent and upcoming Mubi productions include Kelly Reichardt’s “The Mastermind,” Karim Aïnouz’s “Rosebush Pruning,” and Jim Jarmusch’s “Father Mother Sister Brother.”
Schoenbrun is represented by CAA, Entertainment 360, and Kimberly Jaime at Jackoway Austen; Einbinder by CAA, The Lede Company, Cary Dobkin and David Krintzman at Yorn, Levine, Barnes, Krintzman, Rubenstein, Kohner, Endlich, Goodell & Gellman; Anderson by UTA, Independent Talent, and Premier Communications.
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